The Canterbury Pilgrims opera in four acts Music by Reginald De Koven Libretto by Percy Mackaye, after The Canterbury Tales by Geoffrey Chaucer's

(U.S. Opera Home Page)

One of De Koven's two serious operas, the music is in a light style reminiscent of his operettas. The Canterbury Pilgrims was the first opera given at the Met for which a stage director was credited.

from the printed vocal score:

The time is April, 1387; the place, England.

Chaucer, first poet laureate of England, traveling incognito with pilgrims from London to Canterbury, encounters the Wife of Bath, a woman of the lower middle-class, buxom, canny, and full of fun, who has had five husbands and is looking for a sixth. She promptly falls in love with Chaucer, who--instead of returning her sprightly attentions--conceives a high-serious, poetic affection for the Prioress, a gentlewoman, who-according to the custom of the time--although holding an ecclesiastical position, is at the same time a secular person, having taken no vows.

The wife of Bath, however, is determined to win her man at all costs. Devising a plan for this, she wagers tha she will be able to get from the prioress the brooch, bearing the inscription "Amor Vincit Omnia," which the prioress wears on her wrist. Should she win, Chaucer is bound by compact to marry her.

After much plotting and by means of a disguise, the wife of Bath wins her bet, and Chaucerruefully contemplates the prospect of presenting his hand to her. In this plight he appeals to the King, Richard II, who announces that the wife of Bath may marry a sixth time if she chooses, but only on condition that it be a miller.

At this juncture, a devoted miller, who has been one of her attendant swains, joyfully accepts the task, and the story ends with a scene of happy reconciliation between Chaucer and the prioress.